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(from Judgement , web)
The brilliant disguises of the artist in Sillabari interprets the aspirations of petit-bourgeois Parisians characters Igor Vazzaz

is beautifully painful (re) view the scene Paolo Poli For a thousand and one reasons. First and foremost, the failure of the air in our lexicon to describe, but approaching, the amazing size of an artist for whom every word is already spent, burnt each attribute, any appreciation realized. Almost thirty years ago, Rodolfo Di Giammarco listed with amused pique, in the only monograph devoted to Professorin singing (yes, true crime of our studies teatrologici), a plethora of adjectives, hyperbolic tones pseudorabelaisiani list, in an attempt to give an account of the endless colors of a dazzling theatrical machine, Poli-Edrich . We

in 2010 and the music does not change: he, more beautiful, more beautiful , there, elsewhere in the theater world that fades in the making, perhaps in his escape, bleaching in memory, passing with feminine grace the contours of a century past, but never fully ended.

Master repechage poetic thug, here it is out of her huge chest of stories Geoffrey Paris, and two Sillabari (the first of 1972, more than ten years later, winning the Witch) , interrupted the letter S for "lack of poetry." Dictionaries emotional, sentimental but not sentimental: each of these enigmatic short stories from the taste, opened in the minimalist suspension, gives rise to scenic pictures, mostly monologues, in which the plaintiff Florence digs with his usual sly irony, playing cleverly on the word to extend the gesture to be shown and, above all, what is not said to be lodged.
remarkable balance of this dramatic spectacle unique in the biography of our own: to dominate, for once, is not his vein by hypertrophic front man, his irrepressible and colorful spawning of innervated camp, but the text, which forces the stage to write a sedimentation record, whose actions, scenery painter ( Lele Luzzati, splendid, inspired by illustrations of the first Twentieth century), beautiful costumes and sumptuous ( Santuzza Cali ) are the perfect side dish, never overflow.

is how this peculiar puzzle of the stations are characterized by dramatic voices of the characters Parisians, their dreams minimum, from petty bourgeois aspirations, fears and anxieties prudish: Poly styles in ever-changing (and what is his wise strut at each change of costume) plays both men and women (needless to say in what capacity it appears totally irresistible), always leaving room for the size of literary characters, adjusting their vocation to the protagonists of these chameleon-minute stories and indecipherable.
Obvious that a victory is not what they say, the interstices of sense that these events Parise opens in lower case, and that the skill lies in the unusual measure of acting on stage that the animal is able to maintain consistency with happy. The price is perhaps not that of a full flow, given that the development of staging is intentionally paratactic, sometimes suffering of a repeated trigger mechanism and stop repeated. Excellent

Olianti gear apparatus is choreographed, edited by the excellent Alfonso De Filippis, more and more "second", shoulder and help the teacher beyond the threshold of eighty (incredible but true): the ridiculous midi orchestrations prepared by the faithful Jacqueline Perrotin are the basis for a pot-pourri of songs, now dreamy, now sentimental, embracing fifty years of music, not just Italian. Exemplary work of deconstruction semantics union-made conflict between the texts, music (sounds formidable, deliberately mocking and plastic) and environments: a languid, melancholy Goodbye nell'addio evil ends is a bespectacled middle-class in orange jacket (Poli lui-même) turns to the handsome worker in blue overalls fitted with a bicycle.
The musical parts are winking at ballet in which the protagonist assoluto si vede quadruplicato nelle figure di altrettanti giovani e bravi attori, tra cui il già citato De Filippis. In questo senso, la novità è rappresentata dallo spazio crescente appaltato alla destrezza di Luca Altavilla , Alberto Gamberini e Giovanni Siniscalco , alla bisogna perfetti cloni poliani, ma ciascuno dotato di piglio e ritmo personalissimo.
I cinque interpreti si palleggiano e dividono numeri e monologhi, così come la girandola di repentini cambi costume, motivo di costante sbigottimento da parte d’un pubblico sin da subito disposto a divertirsi e sorridere. Ed è bellissima la lingua teatrale parlata, proposta, carezzata da questo grande guitto and star of our stage: an Italian music, never sliced, with elegance sublingua unimaginable after decades of television.

pain, he said, admiring the pain of a pure diamond and dazzling, as modern as to fade the current stage and beyond. Because, and this is what we impute more brilliant at the best we have, is a disgrace that he is even, and without the least pandering, consoling, comforting, and certainly not by his fault. And it is with him, without much emphasis, without calcar slightest hand or voice, which seems to be able to re-establish some fixed point in an Italy increasingly heavy, more and more violent, ever more intimately fascist. The gaiety of her tongue and indomitable smile even on the now canonical triumphs of a riot: in phantasmagoric costumes gold, here to say a last number D'Annunzio, in agreement with the four actors so young. And the poet is arranged, effortlessly. The audience applauds, cheers, standing ovation pays for once justified, Florentine all'istrionesco wizards: he leaves, smiling patient and then, make blatantly annoyed, invites everyone to go home, a good time. Thank you for existing, Paul, once again.
(January 13, 2010)

Entertainment
Sillabari , two times by Paul Poli by Goffredo Parise

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Upcoming: Rome, S. Umberto, until January 24, Lamezia Terme, 27-28 January, San Casciano Val di Pesa (Florence), January 31, Faenza (Ra), 1-3 February, Ferrara, 4-7 February; Copparo (Fe), 10 February, Trento, S. Clare, 11-14 February, Schio (Vicenza), February 16, Trieste, Bobbio, 19-28 February, Colle Val d'Elsa (Si), March 9 to 10
Goffredo Parise: Venetian writer and journalist, teacher in describe the Italian province in its most intimate facets and the two Sillabari are now published by Adelphi, which also oversaw the release of beautiful Away (2009) cited
Artists from the bottom of Luzzati: De Chirico, Elijah, Morandi, De Pisis, Savinio, Dali, Hopper, Mondrian, Picasso
Thought / 1: modernity has nothing to do with the mere history
Thinking / 2: the dream would be to use poles to sweep away a lot of theatrical vulgarity painted (pseudo) ideological, social, engaged and disengaged, but he is not likely ever. It would, once again, reason