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The rest goes to the theater of Gomorrah

(from Judgement )
In Earth Father , Eugenio Allegri and Blacks Marcoré read stories Saviano before and after the novel, with whom they share themes and tones. A text of the complaint and growled angrily, which just manage to add actors and director

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If, in recent months, a result has run irritating obtained malgre soi, at Roberto Saviano, is just to make it impossible, if not sticky and be heard, to express any opinion about him or his work. And the fault, this fault is not his, a writer who tries to do their job in the non-trivial position of someone destined to split in two public opinion every time you breathe. With this belief, then, we are going to attend Earth father, George Gallione show that draws from the "narrative material written around Gomorrah ", volume monstre author field that is, willy-nilly, one of the most sensational literary cases and discussed in recent years.
Not that the idea is entirely original, to be honest: the peculiar novel-essay by Saviano, a mixture of intimate narrative, chronicle hyperrealistic wise and anthropology, has already been subject to various reductions, theater and cinema.

The light illuminates the scene, a theory stony wall of rock that the irregular contours of minerals makes the labyrinth by the calls arabesque. All around, a dark background, almost a black sky that the lights dotting reflections almost starred in a few moments (brief?) of the play. Two locations, fixed, with their laws, which appear Marcorè Blacks and Eugenio Allegri. The voices, strictly microphones, alternated in chrestomathy readings, giving substance to the narrative voice of Saviano : stories if they are not directly traced to Gomorrah, however, appear to be material to a sort of sequel to the book, or desiring to be malignant, what the Mondadori did not include at that time in the future publishing success. Stories of suffering humanity and compromised, dealing with abuse, crime, wickedness of a tragically ordinary South, and an Italy whole, more and more distracted, indifferent, selfish.
Earth father, meanwhile, does not look like a mere translation of the famous scenic book, but as a -reading about the show (also) of his later writings, notes that they share with narrative Gomorrah issues, the environment and the need for a hot story , stylistically looks stronger, in our opinion, the novel.

The complaint, snarling and angry at the edge of despair, almost counter to the sound full and round two of the items measured, well-worn by actors. Not that it lacks the pathos: s'avverte, However, a subtle disconnect between the language of Saviano, whole blood, tears, pain, and that the two tellers, turned, at times Apollonian. would not have been crazy idea, perhaps, to propose two Neapolitan actors, bearers of a certain idiom closer to the original tones, but clearly wanted to avoid has run, it is unknown whether a reason, a hypothetical order ridondanza.Alla However, the limits are pretty obvious and multifaceted: the overall construction is quite weak, and little can make the two performers, trapped in a structure that seems to limit their potential. Similarly, the direction of Gallio is suspended between the exterior of an impalpable scene which has no effect, beyond the bright unnecessary emphases, and a fundamental choice that seems, however, destined to an inevitable failure.

The question arises: are these really necessary operations theater? Or rather: what are the real purpose of productions like this one? Only by answering these questions can be carried forward analysis. Having no certainties in this respect, we can not assume the critical responsibility to say no, some do not need staging, not because they are not offering anything new or memorable, from the theatrical point of view, which, however, you should ask each work of art. You do not need even as politicians, when they do not get effects whatsoever: they end on time to leave it at that, confirming the belief of an audience that already agrees with certain positions, leaving indifferent, however, who does not agree and, with most likely not even take the trouble to attend the performances. You do not need, finally, because a play, especially if, by implication or otherwise, of a political nature, it must demand doubts, questions, and certainly not the terrible and insidious feeling of "being in the right place."

December 9, 2010

Reviewed Subject: FATHER EARTH
, reading-performance by the stories of Roberto Saviano, directed by Giorgio Gallion

Coming on stage: Fabbri Theatre on December 9, Vignola (Mo), 10 December Teatro Comunale, Carpi (Mo), 11-12 December Arena del Sole, Bologna, for more information about the tour visit the site of dell'Archivolto Teatro di Genova
Gomorrah beyond the page / theater in 2007, Saviano draws, with Mario Gilardi, a script for a show, bitter but valuable, made by Stabile of Naples, not fought in the streets easier, than the narrative or reading, preferring theater and choral dramatized
Gomorrah beyond the page / cinema: in 2008, Matteo Garrone, always in consultation with the author, it produces a fine film that, despite the Oscar nomination (a phenomenon that usually pertains more to the distribution power that the aesthetic value), had the effect of crying, in conjunction with of Il Divo Sorrentino, and it shared the actor Toni Servillo, and soon a utopian denial rebirth of the great Italian cinema
Saviano beyond the page: not only recent broadcasts alongside Fazio, but in 2010, also starred in a solo titled The scenic beauty and hell , inspired by its namesake book, directed by Serena Sinigaglia and production of the Piccolo Teatro Milan

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