Tricks Using 35mm Film

A serving director Eleonora Danco

(from Judgement )
vojo sarva Me '- No one looks Romanesco is a monologue in which the actress plays the most talented voices, love and comic, of outsider ridden life

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barren stage, raw laconic in the desolate depths of blacks, as a veteran of dismantling after the show. The boards of the stage seem even more worn, almost caught off guard by the drop shadow and voiced by invading a vintage James Brown who, in the bare nakedness of the visual picture, it sounds even more harsh and painful. A female figure, lean and flexible, designed in circular orbits around the tenuous beam projected from above steps nervous, exhausted, to miss the center, suggesting the absence of a nucleus of a foothold. is from this loss, the location and position before and verbal, is this loss of Eleonora Danco axis that develops the theater as an outsider, "off site" unstable, fragile and desperate.

vojo sarva Me '- No one looks is a dual monologue " in numbers, "pot-pourri of voices, characters entangled in the life sucked and Spit, with sweet-sour taste of blood and humours, bitter and funny at the same time. Incarnation Roman and Roman fool of feminine, the Danco weakens in jerky movements, tears dirty body to translate that language, material and arrogant, which is the dialect Capitoline today: no more than classicizzato from literature, theater or cinema (Belli and Trilussa Petrolini Deaf and up to Victor Cavallo and Verdone, to say nothing of Pasolini, the tutelary deity constantly mentioned), but the current, weakened redundancy, in incommunicability of a limited vocabulary that the physical wear and tear look for remnants of sense now untranslatable into words. Suspended between sampling of the real risk (street, but also television) and a poetic re-creation that is always re-invention, artifice irreplaceable to dribble the deadly decline of a language advertising, television and now intolerable, that of "by Totti advertisement. "
The actress-author with commendable self-denial is deep in the size discouraged and pressed the characters, whose language would be supported, stressed and even amplified by the scenic solutions: the perpetual motion, now running and jumping, now crawling and rolling around on the ground, now banging his head on one side miked stage, the Afro-American music , constant companion not without intrusion, the drama, now hours dialogic monologue, entirely left to the body and the voice of the protagonist. What is "crazy street, pair separation in the table of a bar girl in anguish of a metropolitan morning awakening sinks in the regression of a stream of consciousness between memory and pain of adolescence, Eleonora Danco throws himself heart and soul in 'interpretation, with sincere intensity.

is a pity, therefore, that the result is not reached, and beyond the appreciation collected by the actress in recent times, the limits do not seem limited accidental imperfection of an evening. solutions stage, in fact, appear at times naïve, simplistic, perhaps missing director of a stand-alone, foreign eye and at a distance, providing fruitful suggestions : movements, often strained, are over the top, yes fruits of undeniable effort but rarely centered (in consonance or dissonance) to the text. They end up increasing the noise, chaos is not fertile and contributes a selection of music which lacks inventive step. The lights, although the precise calibration Danco that it likes to emphasize, are anecdotal, lacking in rigor and necessity, with the exception of the flashlight cast by the audience in front of the stage, effective but not too original. In the early stages of dialogue, acting, screw in anaphora and rhetorical devices that only occasionally provide significant insights, it is monotonous, without tension and not adequate to innervate a drama suffering, consistent with the preparation, of a lack of scratch to affect soul of the viewer. Missing quid , incommunicable but essential, work of art successful, accomplished, to the point that stands out not to be forgotten, making urgent vision, which makes for an evening at a real theater experience .

remains a talented actress, a playwright animated by great zeal and violent clarity, which would probably a dialectical counterpart in setting an outside director, to avoid the lack of the center of these troubled characters and frantic reverberates within lack of a staging center that offers more doubts than certainties.

of Igor Vazzaz

March 9, 2010

Reviewed Subject:
vojo sarva Me ' - No one looks , by and with Eleonora Danco

Upcoming: Milan, Pim Scenic Area, 12-15/3; Frascati, 20 / 3, and more information http://eleonoradanco.wordpress.com /
Viewed: to Pontasserchio (Pisa), Teatro Rossini - The City Theatre, March 5, 2010
Eleonora Danco: actress and author, has worked at the cinema, among others, by Nanni Moretti, Michele Placido, Marco Bellocchio, Pupi Avati and Vittorio Gassman, theater has worked with Mario Martone and has won several national awards and is considered an emerging artist
The rest of the poster: music chosen by Marco Tecce, MDM, costume, Narda, lighting design; Claudio Cianfoni, lights and sound; Flavia Parboni, assistant director
In library: I was with pure , Minimum Fax, 2009
not received: which would be the Jackson Pollock inspired Nobody looks , stream of consciousness next to other artistic experiences but did not join and no
Despite everything the Danco is nice and we hope that, by refining the method could improve

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