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killer John Malkovich and the massacre of

(from Judgement )
Presented in Piazza del Duomo in Prato, Infernal Comedy has Having regard to the interpreter in the role croatoamericano Assassin Jack Unterwerger. But the context does not play and gives him free of his best qualities

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Year unfortunate, for theater, for Hollywood in Italy: after the attempt is not entirely centered in John Turturro with the Italian folktales by Calvin, Pitre and Basile, John Malkovich turn to disappoint the expectations of the public come to watch his portrayal of Jack Unterweger in The Infernal Comedy Viennese author and filmmaker Michael Sturminger .

challenge is the heat of the Tuscan, intrigued by a show of international invoice (debuted in California in 2008 and passed to the Festival of Two Worlds in Spoleto), the most confident of closing a year full of visions and shows.

It gives the case that the famous actor (the one that many would like to be, according alcelebre film of 1999) has opened an atelier in Prato, a city that, over the years has shown a much more active cultural life of the noble towns. As it also happens that, at the opening of this center (which will take care of, contemporary art and other things that we did not understand), the ordinary citizen is able to secure the inclusion in the summer program of 'theatrical and musical interpreter who sees the darkness of Croatian origin in the shoes of a serial-killer Austrian really existed, the protagonist of a paradoxical and bloody history of conviction, and final rehabilitation apparent death by suicide.

The show promises to be interesting and ambitious: not only theater of words, since to accompany the monologue Assassin are a baroque orchestral training (with the Wiener Akademie Orchestra, directed by Martin Haselböck ) and the actions of two soprano (Laura Aikin and Aleksandra Zamojska), evidence of a productive effort far from irrelevant.

The idea, then, that to assume the role of a crafty murderess, the eventful history and full of surprises, is one of the most ambiguous of world cinema causes the public of the beautiful square of Prato is prepared to attend a real event.

Here, then, John, white dress and black, slender, sharp, direct trajectory. The theater, especially the theater in the streets, where the distances are set to increase, deprives him of his weapon main actors the face. You can not play sull'increspatura eyebrows, at the smallest, minute changes in the expression, touch and subtle details and close-up magic that amplify enormously: the theater is the art of gesture round of white on his face, the amplitude of movements. If this text is added to thin - played on a sense of humor almost never well-led, which is always far more straightforward and the macabre and the finest fencing, here that Malkovich finds himself playing in an unknown field, forced to interpret halfway between the stand-up comedian and the character-who-should-be. Does not disturb and even laugh , also a leading voice at all in keeping with "his" character and that the killer dropped in English limping Austrian is no center, no depth, no depth.

face of so much waste of resources, shoulder musical badly amplified, it is a totally unnecessary luxury , as well as actions of the two soprano (Zamojska better), since the play and scores s'amalgamano evil, creating a split along: the administrative attention songbirds are often heavy, poorly managed in duration (some cut to the shapes of the baroque was a typical refrain certainly be beneficial for use) and a synopsis of the economy broken, sore satireggiante supported by the acting of the protagonist.

One debacle. debacle that Malkovich can do little or nothing, even with some small passage where the text would seem to tap some ideas worthy : nothing shocking, in a nutshell reflections on the concept of truth, guilt and innocence, which remain the ' object of investigation most of the drama and narrative.

applause out there, it's true, but I'm pretty shy, especially when compared to the stature of the cast. Do you see smiles stretched, broken dreams, a feminine audience make ready to orgasm, which was promptly betrayed. Too bad, not so much for expectations disappointed, but for a show ill-conceived and badly implemented, could aspire to great results and, instead, is mired in the tired and revised scheme of superstar feed the public. It happened like this, just to add, if not a goodbye to all in September.

Igor Vazzaz

July 29, 2010

Subject Reviewed:
The Infernal Comedy - Confession Of A Serial Killer , Michael Sturminger, with John Malkovich

Information and replicas : www.theinfernalcomedy.org
Send : can be found here
The music: songs variously selected from works by Gluck, Boccherini, Vivaldi, Mozart, Beethoven, Haydn and Weber
sounds out of this world: the peculiar composition of net ' a baroque ensemble, how do you have to hear a sound completely devoid of low frequencies, where the double basses seem to come from a vintage radio?
Disappointment / 1: voice, and the paucity of an interpreter that we expected titanic
Disappointment / 2: like a waste of resources is unbearable, especially when you consider that Americans can do theater and great bill. Maybe it's our year unlucky
Sadism: voluptuous pleasure contemplating the disappointment of the ladies and young ladies present

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